The
book cover history has been varied. While writing the story, I toyed with two
reddish designs that were meant to signify blood as it relates to the trilogy.
This was the first go-round:
And
this was the second, which over time I found to be too dark:
The
second cover was built around a model photograph taken by Anton Belovodchenko,
a contributing member to Stock Xchng (of which I'm also a member).
For
the third (and hopefully final) cover of Bloodfrost, I built the design around
another model photograph, this time taken by an artist named Tomas Bobrus from
Poland (also a contributor to Stock Xchng).
I
felt the white backdrop was more effective in displaying the blood drops and
trails. The main character in Bloodfrost is sickly pale (at first), and has
blue-eyes with graying hair. I'm not fond of the color pink, but it seems to
work on the final cover (see lips and
author name).
Both
images from Stock Xchng were used according to their standard restrictions
license. I'm
careful about following usage guidelines because I also create my own images, so
I know how much hard work goes into the process. Whether it's an image based on
a photograph, sketch or a graphic created from scratch, it's important to give
credit where credit is due (including one's self). It's as essential as
respecting copyrights on other media such as books and sound.
I'm
grateful to be a part of places like Blur Designs, Logopond, RGB Stock Photos,
Shutterstock and Stock Xchng, where artists share their work and sometimes
learn a thing or two from each other. I'm an amateur at best, so I stand in
admiration of many stunning and unique images.
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